Plaster of Paris as a Pore Filler


gee-dub

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There was some talk about pore fillers elsewhere and I mentioned P-of-P.  This is an old technique but, thought I'd re-share for those who might have missed it.   There is no one product that suits all situations but, for things with big pores like red oak that will receive an oil based finish, it doesn't get much cheaper or easier.

I mix the P-of-P to about the consistency of heavy cream.  Apply it like any filler; across the grain, in circles, etc to drive the material into the things you want to fill.  Once dry (it dries fast) wipe it with a sponge to get most of the spoil off, sand to your desired finishing grit and apply your oil based finish. The oils turn the P-of-P translucent and it effectively vanishes under anything other than a super-clear finish.

 

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You can also mix universal colorants into the plaster for all sorts of color combinations. I saw ash dyed black then a coat of sanding sealer before filling the pores with plaster dyed bright green.

I strongly suggest practicing on scrap before you tackle a piece of furniture,!

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I've used it with black dye, to give red oak a nearly zebra wood-like appearance. I think if you want to do a contrasting dye and fill color like Steve mentioned, a coat of sanding sealer / shellac after dying the wood might help the colors stay seperate and distinct. This is the sort of treatment red oak screams for.

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Finally dug up an example.  This is a simple wall cabinet carcass before the top coat has been applied.  It had been filled with P-of-P and oil stained (Minwax Colonial Maple IIRC).  The point is to show how the P-of-P disappears with the application of the oil based finish.

 

2nd stain carcas.jpg

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1 hour ago, gee-dub said:

Finally dug up an example.  This is a simple wall cabinet carcass before the top coat has been applied.  It had been filled with P-of-P and oil stained (Minwax Colonial Maple IIRC).  The point is to show how the P-of-P disappears with the application of the oil based finish.

 

I need to confirm. Does it disappear with the oil finish, or does it disappear with any finish after being stained?

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2 hours ago, C Shaffer said:

I need to confirm. Does it disappear with the oil finish, or does it disappear with any finish after being stained?

The oil turns the P-of-P translucent.  I have not tried it with water borne finishes because, 'oil based' was emphasized back when I picked it up.  Obviously there have been giant leaps in the quality and characteristics of water borne finishes so it would be interesting to try a test board.

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1 hour ago, gee-dub said:

The oil turns the P-of-P translucent.  I have not tried it with water borne finishes because, 'oil based' was emphasized back when I picked it up.  Obviously there have been giant leaps in the quality and characteristics of water borne finishes so it would be interesting to try a test board.

No to beat a dead horse, but can you limit the change to the oil finish? It seems an oil stain after filling would create a change. Have you ever use P of P for a project without coloring? It seems the P of P would take on whatever tint is in the oil used directly on it. That you say "translucent" has my curiosity piqued. I am off to research it now but also welcome your personal experience. 

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No problem.  In the piece pictured the protocol was (or was pretty close to) P-of-P filler sanded to 320, BLO padded on and wiped off (at this point the filler pretty much disappears), Minwax Colonial Maple (the stain does not seem to emphasize the filler at this point)  with a clear shellac top coat (just because I wanted a certain sheen).

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